ABC Malaysia, viral video: John Gomez.

Yesterday, I shot a "viral video" for ABC Malaysia, the publication circulation assessor. It was a very enjoyable experience. I played the ghost of a publisher, John Gomez. The production house, Reservoir Productions, commissioned a beautiful suit for me, for the shoot. It was just the right touch for the character.

It was a green screen shoot. This means that there was a green backdrop behind me, onto which will be inserted images, in post production, to place my performance in a context. I am very curious as to what the Director Ismail Jamaluddin will put there. It is going to be an interesting surprise!

For me, the most rewarding part of the shoot, apart from the chance to work with the character, until the performance was just what Ismail wanted, was the Director's response to my work. For the second time in a week, a Director has been extremely positive about my work and has spoken of working with me again in future. I am heartened by this. It allows me to understand that I am right to devote the time and energy to acting that I have, in my life, for it very much seems, now, that I have a promising future in this arena. All I have to do, at this time, is keep on working and experimenting. The path ahead looks to be an enjoyable one.

Thank you to Casting Director Richard Goh for putting my name forward for this role. Thanks also to advertising agency Creative Juice, for approving of Ismail Jamaluddin's choice of me for the role.

The ABC Malaysia viral video is expected to be released in August this year. My performance, as John Gomez, should be visible on the ABC Malaysia website. I will let you know when it is out and shall link to it, if I can.

Posted by Valentine Cawley


(If you would like to support my continued writing of this blog and my ongoing campaign to raise awareness about giftedness and all issues pertaining to it, please donate, by clicking on the gold button to the left of the page.

To read about my fundraising campaign, please go to: http://scientific-child-prodigy.blogspot.com/2011/01/fundraising-drive-in-support-of-my.html and here: http://scientific-child-prodigy.blogspot.com/2011/01/fundraising-drive-first-donation.html

If you would like to read any of our scientific research papers, there are links to some of them, here: http://scientific-child-prodigy.blogspot.com/2011/02/research-papers-by-valentine-cawley-and.html

If you would like to see an online summary of my academic achievements to date, please go here: http://www.getcited.org/mbrz/11136175To learn more of Ainan Celeste Cawley, 10, or his gifted brothers, Fintan, 7 and Tiarnan, 5, please go to: http://scientific-child-prodigy.blogspot.com/2006/10/scientific-child-prodigy-guide.html

I also write of gifted education, child prodigy, child genius, adult genius, savant, megasavant, HELP University College, the Irish, the Malays, Singapore, Malaysia, IQ, intelligence and creativity.

There is a review of my blog, on the respected The Kindle Report here:http://thekindlereport.blogspot.com/2010/09/boy-who-knew-too-much-child-prodigy.html

Please have a read, if you would like a critic's view of this blog. Thanks.

You can get my blog on your Kindle, for easy reading, wherever you are, by going to: http://www.amazon.com/Boy-Who-Knew-Too-Much/dp/B0042P5LEE/ref=sr_1_1?ie=UTF8&m=AG56TWVU5XWC2&s=digital-text&qid=1284603792&sr=8-1

Please let all your fellow Kindlers know about my blog availability - and if you know my blog well enough, please be so kind as to write a thoughtful review of what you like about it. Thanks.

My Internet Movie Database listing is at:http://imdb.com/name/nm3438598/

Ainan's IMDB listing is at http://imdb.com/name/nm3305973/

Syahidah's IMDB listing is at http://imdb.com/name/nm3463926/

Our editing, proofreading and copywriting company, Genghis Can, is athttp://www.genghiscan.com/This blog is copyright Valentine Cawley. Unauthorized duplication is prohibited. Use only with permission. Thank you.) 

A Haunting House.

I have spent the past few days shooting a film. For me, the most memorable – and odd – part of the experience was spending Sunday, through to Monday at 11 am, shooting in an abandoned house far from Kuala Lumpur.

It is a horror film cliché, that a house is somehow “haunted” – well this house was haunting, for anyone who stepped within it. It had been abandoned since 1998, according to the last revealed page of a calendar on the wall. It was heaped with dust and decaying junk. Books and papers had rotted away, to become powdery ghosts of themselves. It has a strange smell, that was not quite comforting – a musty malodour on entry that one couldn’t quite define. Even more perturbingly, it had seemingly been squatted in, in the past fourteen years, since one room had a mattress free bed, heaped with clothes, that seemed rather newer than the house – and, in an unnerving detail, a baby’s nappies. Who on Earth would try to look after a baby in such surroundings? It should be noted, further, that the electricity had been put back on for the filming. So, whoever had been squatting there, had done so in a house without electricity. It couldn’t have been much fun, living in a rotting shell, in the dark, at night. As for us, filming, it was spooky enough, even with a whole film crew present, throughout.

In a darkly humorous gesture, nature provided an augmentation to the general spookiness. At several points throughout the night, a very loud dull thump was heard, as of a human body falling from a great height. It turned out to be from some kind of fruit tree outside, with very large fruits about twelve to fifteen inches long. God knows what it was, but it certainly added an element of surprise to the ill lit night.

For me, acting is often about experiencing the unusual. It has placed me in very unusual circumstances which have given me memories I could never have expected to have. This last weekend is prime among them.

It was a long night. By the time I got home, after the shoot, I had been awake for over 32 hours. Yet, it had been worth it. The director, Ignas Versinskas came up to me at one point in the night and remarked: “You have really created a character...I can feel it.” That was a cheering compliment and one that lightened the burden of the hours. Thank you Ignas.

So, despite the hours and the consequent tiredness, despite the darkness and general spookiness, I had succeeded in creating an interesting character, on screen – and no-one watching would have a clue about how long I had been awake or what hour it was during filming! I actually rather like the character: a detective who has seen it all and come to terms with the worst of life, but still managing to care, when people come to harm.

I look forward to further filming experiences, though I doubt that any will ever be as haunting as this one. I will write of some of them, in future.

Posted by Valentine Cawley

(If you would like to support my continued writing of this blog and my ongoing campaign to raise awareness about giftedness and all issues pertaining to it, please donate, by clicking on the gold button to the left of the page.

To read about my fundraising campaign, please go to: http://scientific-child-prodigy.blogspot.com/2011/01/fundraising-drive-in-support-of-my.html and here: http://scientific-child-prodigy.blogspot.com/2011/01/fundraising-drive-first-donation.html

If you would like to read any of our scientific research papers, there are links to some of them, here: http://scientific-child-prodigy.blogspot.com/2011/02/research-papers-by-valentine-cawley-and.html

If you would like to see an online summary of my academic achievements to date, please go here: http://www.getcited.org/mbrz/11136175To learn more of Ainan Celeste Cawley, 10, or his gifted brothers, Fintan, 7 and Tiarnan, 5, please go to: http://scientific-child-prodigy.blogspot.com/2006/10/scientific-child-prodigy-guide.html

I also write of gifted education, child prodigy, child genius, adult genius, savant, megasavant, HELP University College, the Irish, the Malays, Singapore, Malaysia, IQ, intelligence and creativity.

There is a review of my blog, on the respected The Kindle Report here:http://thekindlereport.blogspot.com/2010/09/boy-who-knew-too-much-child-prodigy.html

Please have a read, if you would like a critic's view of this blog. Thanks.

You can get my blog on your Kindle, for easy reading, wherever you are, by going to: http://www.amazon.com/Boy-Who-Knew-Too-Much/dp/B0042P5LEE/ref=sr_1_1?ie=UTF8&m=AG56TWVU5XWC2&s=digital-text&qid=1284603792&sr=8-1

Please let all your fellow Kindlers know about my blog availability - and if you know my blog well enough, please be so kind as to write a thoughtful review of what you like about it. Thanks.

My Internet Movie Database listing is at:http://imdb.com/name/nm3438598/

Ainan's IMDB listing is at http://imdb.com/name/nm3305973/

Syahidah's IMDB listing is at http://imdb.com/name/nm3463926/

Our editing, proofreading and copywriting company, Genghis Can, is athttp://www.genghiscan.com/This blog is copyright Valentine Cawley. Unauthorized duplication is prohibited. Use only with permission. Thank you.) 

Wendy Ho, Artiste Entertainment, Singapore.

Wendy Ho is the owner of Artiste Entertainment, Singapore, a talent agency. Quite a few years ago, I did a few jobs for her. The thing is, I am still waiting to be paid for one of them.



Now, perhaps I should have learnt my lesson from my first experience with her - but I gave her the chance to prove herself, which was not, perhaps, that wise.

My first encounter with Wendy Ho was for the casting of the War Diary. She cast me in the role of Stanley Warren, a real-life historical figure, who, as a POW, painted the murals in Changi Chapel. It was interesting to get to play a real person, rather than a work of fiction - and, I suppose, a responsibility, too.

Now, when she offered me the role, I thought the pay was rather low, so I negotiated, ON THE PHONE, for a higher rate. She agreed to that rate.

So, I went ahead and did the shoot. Yet, afterwards, things got interesting. When I received my cheque, I noted that it was for the wrong amount - it had been made out for the original, unadjusted rate of pay, not our agreed higher rate. I duly called her up and explained that the cheque was not for the amount we had agreed.

I was then most surprised at her reaction. She scoffed at me, on the phone and said: "Did you get it in writing?", in what sounded like a rather mocking tone. She seemed to be saying: "I have won...and you thought you were being clever at renegotiating your deal!"

She quickly ended the call and that was that, as far as my pay was concerned.

Some years later, I had another encounter with her. This time over what they called a TV commercial. Again, the rate of pay was PHONED to me, not emailed. I am beginning to think this is their modus operandi, since it leaves no trace. A good rate of pay was suggested, for the day's work on the commercial - several times more than TV pays. I thought that was that. However, a few days later, when the same assistant called again, the pay had magically dropped in half. I couldn't get an explanation for the change. However, the pay was still good, so I decided to go ahead.

I did the shoot. All went well and I duly expected to get paid. Yet, half a dozen years later, I am still waiting.

My mistake, this time, was in being patient, in waiting for my cheque to be sent. You see, with Wendy Ho, it seems that there is no guarantee that a cheque will ever be sent. In my case, it wasn't.

Anyway, for entirely random reasons, I thought again, recently, of that TV commercial for which I had never been paid - and decided to email a query about it. I wrote to the main contact addresses of Artiste Entertainment. However, after several weeks, I had received no reply. I duly wrote again to the same addresses. Again, weeks passed without a reply. I then wrote to the addresses of individuals at Artiste Entertainment, including one I had had contact with before. She wrote back to me and said she would look into it. She also asked if I had "emails" regarding it. I thought this an interesting thing to ask, since, in my experience Wendy Ho liked to call or get people to call. Traces like emails were not what they generally left. I waited several weeks and heard nothing more. I then wrote to her again asking her to remind Wendy Ho - and she said she would do so. A couple of further months have passed and I have heard nothing more.

The thing about this is not just that I wasn't paid, but that it is doubly unfair considering the industry in question. The performing arts are precarious ways to earn a living, at best, and its seems really unfair, even evil, not to pay the actors what they are due, when it so difficult for them to find enough jobs in the first place.

Wendy Ho of Artiste Entertainment lives in what, by Singaporean standards, is an expensive house (a landed property). I wonder how many of her performers, on her books, can afford similar houses? How many of them also have problems getting paid what was agreed, or even paid at all?

Certainly, I have had two experiences of difficulty over pay with Wendy Ho and Artiste Entertainment. Now, I cannot know who else might have had such difficulties, but the fact that the same person could experience such problems twice, from the same source - out of relatively few jobs from that source - seems to point to a definite underlying problem.

So, here is my advice if you are a performer or other actor and you receive an offer of work from Wendy Ho of Artiste Entertainment. Firstly, do NOT accept the job over the phone. Do NOT negotiate over the phone. Do everything via email. Insist on a written record of the transaction. Better still, it might be good to insist on getting paid, in cash, upfront. Do not assume that any agreed sum, that is not in writing, will be paid.

The other thing to consider is this: do you like acting enough to do it for free? If not, perhaps you shouldn't be doing the job at all - because, in Singapore at least, you might never get paid.

Lest my post give the impression that Wendy Ho of Artiste Entertainment is the only agent not to pay her actors what was agreed, or at all - I really don't think this is so. I have heard rumours of quite a few performers in Singapore getting cheated of what they were due. So, if you are performing in Singapore, I would advise caution. Protect yourself as best as you can...and don't rely on it as a source of income, because here, that "income" may never come at all.

I decided to write this post, because I am unable to get Wendy Ho to reply to my queries. Perhaps, she might see this post. If she does and she settles the outstanding amount for the TV work done, then I will add a note to the end of this post that she has finally paid up. Until then, this post will remain as a cautionary tale for those who work in Singapore's entertainment industry.

(If you would like to learn more of Ainan Celeste Cawley, a scientific child prodigy, aged eight years and seven months, or his gifted brothers, Fintan, five years exactly, and Tiarnan, twenty-eight months, please go to:http://scientific-child-prodigy.blogspot.com/2006/10/scientific-child-prodigy-guide.html I also write of gifted education, IQ, intelligence, the Irish, the Malays, Singapore, College, University, Chemistry, Science, genetics, left-handedness, precocity, child prodigy, child genius, baby genius, adult genius, savant, wunderkind, wonderkind, genio, гений ребенок prodigy, genie, μεγαλοφυία θαύμα παιδιών, bambino, kind.

We are the founders of Genghis Can, a copywriting, editing and proofreading agency, that handles all kinds of work, including technical and scientific material. If you need such services, or know someone who does, please go to: http://www.genghiscan.com/ Thanks.

IMDB is the Internet Movie Database for film and tv professionals. If you would like to look at my IMDb listing for which another fifteen credits are to be uploaded, (which will probably take several months before they are accepted) please go to: http://www.imdb.com/name/nm3438598/ As I write, the listing is new and brief - however, by the time you read this it might have a dozen or a score of credits...so please do take a look. My son, Ainan Celeste Cawley, also has an IMDb listing. His is found at: http://www.imdb.com/name/nm3305973/ My wife, Syahidah Osman Cawley, has a listing as well. Hers is found at: http://www.imdb.com/name/nm3463926/

This blog is copyright Valentine Cawley. Unauthorized duplication prohibited. Use Only with Permission. Thank you.)

IMDb: Internet Movie Database.

IMDb is the Internet Movie Database. It is the world's greatest cache of film and tv information. If the information you seek is related to film or tv, it is likely to be on IMDb.

Two or three months ago, I accidentally stumbled on the fact that someone had started an IMDb page, for my son, Ainan Celeste Cawley. This was because of an appearance of his, on tv, in the UK. It was probably the production company that started a page for him. Now, every actor who has ever worked in television or film, in a serious way, has an IMDb listing. IMDb has become the way that the public and the industry alike find out more about an actor, a writer, a director, a producer, a lighting man etc. Although, the industry tends to subscribe for extra information, by getting IMDbPro.

Perhaps I should have expected Ainan Celeste Cawley to have an IMDb listing...but I didn't. It never occurred to me. It wasn't long before I had one too...and my wife, Syahidah Osman Cawley.

Now, some of you may know that I have been an actor, in my time. I have worked in theatre, tv and film. So, looking at my IMDb listing, all shiny, new and with few credits, I thought to fill it up with the many eligible credits (at least 15) that would fit the rules of inclusion. These rules are simple: if many people have seen it or could see it, if they wanted to, then it is possible it might be included. This means, basically, that the film or tv show has been broadcast nationally in at least one country, or it has been subject to widespread cinema release. Minimally, it is possible to get a short film listed if it has been shown at various prestigious film festivals, though it is probably harder to do so, than for the other categories. What these rules mean, however, is that quite a lot of an actor's work cannot ever be included. No theatre is accepted, for instance - and many films that actors do, end up never getting wide enough distribution to be counted as eligible. So, discounting the categories that cannot be included, I have about 15 more credits that should be listed. There, however, the problem begins.

IMDb is very, very choosy. It doesn't take long to realize that getting a listing on IMDb is a BIG thing. I thought, rather naively, to try to upload a couple of my tv credits over two months ago. This process involves providing very detailed information about the film. They ask for full cast and crew details. They ask for technical issues like what camera was used (I hadn't a clue), or how long is it, what "aspect ratio" it was and so on. They enquire after the production dates (when it shot or would shoot) and who owns it. They query one on producers and production companies and the distribution arrangements. I think you get the picture: the questions are endless for each and every show you would like to list. So, here's what happens at IMDb: you input all the information you have to hand (which can take ages, given the menu system they use), then you wait. Almost invariably, a week or so later, they email me with a standard form letter that says: "We have been busy and haven't looked at your submission yet...but please provide more information to allow it to be considered." So, then, you scrabble around for some more information (in my case this involved writing to the production company a polite letter) and upload it. A week later, you get the same reply: "We have been busy and haven't looked at your submission yet...but please provide more information to allow it to be considered." There then ensues ANOTHER letter to the production company asking for even more information (with a slight begging tone, this time). The information is uploaded and the wait begins again. Guess what? A week later, they send an email saying: "We have been busy..."

For BOTH of the tv credits I tried to upload, this went on for two months. Finally, a few days ago, one of them was accepted. My role as Stanley Warren, in A War Diary (a tv series made in Singapore by Dreamforest Productions) was finally listed: yippee! For those who don't know much about Singaporean history, Stanley Warren was an artist interned in a prison camp, (Changi Prison) during World War II. He is famous because, despite the terrible conditions inside the camp, he managed to paint five murals on a religious theme, in St. Luke's Chapel, Changi Prison during his imprisonment. So, I was playing a real historical character, who really lived in Singapore, at one time (he died in 1992): it was an interesting role and a great responsibility. I even had to paint, on camera, one of the murals he made (a recreated version).

So, I have had one success in uploading IMDb credits. The other credit I have been trying is a tv show executive produced by a well known producer, in Singapore...but still I am having trouble getting a listing...they keep making that same request for more information. I kept on writing letters to the production company. Finally, the production company told me that they had given me ALL the information they had on the show. I told IMDb this and, guess what? They asked for more information. I have answered them, and am presently waiting for their decision.

Now, that I have tried to upload credits to IMDb, I have come to realize just how difficult it is to do so. I have come, therefore, to appreciate what it means when an actor actually HAS credits on IMDb. It means that their work has been screened, checked and verified (as IMDb does to all entries). It means that their work has received wide distribution and is of public interest. It means, basically, that the work is a solid achievement and, to my eyes, given the difficulty of securing a listing, worthy of respect.

I have fifteen credits waiting to be uploaded. It won't be easy. For each one, I will have to contact the production companies and secure the answers to scores of questions. If the companies don't help, I will never be able to upload the information. Even if they do, I will face months of "back and forth" and waiting for each one. Even then, there is no guarantee that I will ever be able to satisfy IMDb on a listing. It may all be fruitless.

Why do it, then? Well, the film and tv industry have come to value IMDb highly. It is where they go to find out about artists. If an artist's work is NOT listed on IMDb, it may as well not have been done - for it will not benefit the artist in any way, in terms of securing future work. Thus, an IMDb listing is, in fact, essential to the long-term future of any creative in any aspect of tv or film. That is why I think I should try to list my work, even though it is going to take a lot of work to do so.

My IMDb listing is just beginning. I write this post in celebration that I have managed to achieve my first acting credit on it. I have another fifteen credits to upload. Though there are two other credits on it, in other areas, already.

If you would like to look at my IMDb listing (which may get longer at any time after this post is written, since I will be trying to upload my work, over time) please go to: http://www.imdb.com/name/nm3438598/

As I write, the listing is new and brief - however, by the time you read this it might have a dozen or a score of credits...so please do take a look.

My son, Ainan Celeste Cawley, also has an IMDb listing. His is found at: http://www.imdb.com/name/nm3305973/

My wife, Syahidah Osman Cawley, has a listing as well. Hers is found at: http://www.imdb.com/name/nm3463926/

Thank you. I have found IMDb a very useful and fun resource...I hope you do, too. Happy reading.

(If you would like to learn more of Ainan Celeste Cawley, a scientific child prodigy, aged eight years and seven months, or his gifted brothers, Fintan, five years exactly, and Tiarnan, twenty-eight months, please go to:http://scientific-child-prodigy.blogspot.com/2006/10/scientific-child-prodigy-guide.html I also write of gifted education, IQ, intelligence, the Irish, the Malays, Singapore, College, University, Chemistry, Science, genetics, left-handedness, precocity, child prodigy, child genius, baby genius, adult genius, savant, wunderkind, wonderkind, genio, гений ребенок prodigy, genie, μεγαλοφυία θαύμα παιδιών, bambino, kind.

We are the founders of Genghis Can, a copywriting, editing and proofreading agency, that handles all kinds of work, including technical and scientific material. If you need such services, or know someone who does, please go to: http://www.genghiscan.com/ Thanks.

This blog is copyright Valentine Cawley. Unauthorized duplication prohibited. Use Only with Permission. Thank you.)

Drama at the restaurant.

Tiarnan is a funny boy: just watching him is a form of entertainment all of its own.

On the 20th May, Tiarnan, twenty-seven months, was sat with his brothers in a malay restaurant. He duly waited with watchful eyes and eager stomach, for the food that would come. (He is little, but a big eater).

In due course, roti pratas (a traditional, circular, fried bread) arrived and were placed in front of his brothers Ainan and Fintan. (For whatever reason they are fond of this unhealthy fare).

Tiarnan looked at the empty table in front of him, then looked across at the full table in front of them, in shock. His hands came out to his sides in dismay. Then he got angry...really angry, his face reddening, the cords on his neck showing. Finally, he put his head down on the table, utterly put out to have been ignored in this way.

His mother was a little concerned to see him so upset, yet there was nothing she could do, for Tiarnan can't eat wheat - it doesn't agree with him. He knows this, of course and has never been allowed to eat roti prata. Ever is it his lot to watch his brothers eat this oddly prized food.

So, there Tiarnan lay, slumped across the table sulking. Suddenly, a pair of mischievous eyes looked sidelong from the top of his arms, to see just who was watching him. At once it was clear: it had all been a performance - Tiarnan was playing with his emotions, to make a point. He had managed to convince everyone that he meant it - until that final moment, when he could no longer resist the temptation to peek.

What a funny boy. Perhaps he should be an actor - for he is certainly showing the core skills and dispositions of one. We will see: right now, he is a most entertaining toddler to have around.

(If you would like to learn more of Ainan Celeste Cawley, a scientific child prodigy, aged eight years and five months, or his gifted brothers, Fintan, four years and ten months, and Tiarnan, twenty-seven months, please go to: http://scientific-child-prodigy.blogspot.com/2006/10/scientific-child-prodigy-guide.html I also write of gifted education, IQ, intelligence, the Irish, the Malays, Singapore, College, University, Chemistry, Science, genetics, left-handedness, precocity, child prodigy, child genius, baby genius, adult genius, savant, wunderkind, wonderkind, genio, гений ребенок prodigy, genie, μεγαλοφυία θαύμα παιδιών, bambino, kind, niño, gênio criança, gifted adults and gifted children in general. Thanks.)

Talent will out

There is a saying in Britain: "Talent will out". This means that those who are talented will eventually succeed - but is this true? One doesn't have to be very observant, in life, to come across many people who are evidently talented, but not very successful. Clearly, all is not as it seems.

My contention, supported by a lifetime of experience and observation, is that talent, in itself, is not enough to guarantee success in any field. There are simply too many other factors at work, as well. Often, it is not the most talented person who succeeds - but the best connected. This is an example of the "who you know, not what you know" phenomenon.

Acting is a case in point. What is the background of the actors who "make it" in public life? Well, very often, in fact, too, too often, they come from families who are already connected to showbusiness. This explains something I was often confronted with, when I was an actor: the best actors did not necessarily get the jobs - and the ones who did get the jobs, weren't always that good as actors. They had something else going for them: they knew the people involved in the projects. This happened a lot.

I met many good actors in those days. I met many actors who seemed to have much more talent than their famous colleagues - and yet, they were relatively unknown. They had talent but they didn't have the opportunities provided by good connections in the business - and so, ultimately, they failed to succeed.

I use acting as an example, but this phenomenon will apply, in varying degrees, to almost all areas of life: knowing the right people really helps - in fact a lot more than actually being the right person (in the sense of having the talent).

Let us just check out the backgrounds of a couple of famous actors as examples. Ewan MacGregor - of Star Wars fame. Now, those who know him well, won't be surprised, but others, who don't, might be surprised to learn that he had a relative in the original Star Wars film. No doubt that connection helped put him in touch with George Lucas, at the right time. Furthermore he is related by blood or the marriage of his relatives, to three established figures in British showbusiness: Denis Lawson, Shelia Gish (very respected) and Lou Gish. With such a base of connections to start out with in the showbusiness world, it would have been a lot easier for the young Ewan MacGregor to establish himself than his unconnected contemporary competitors.

Another example is Daniel Radcliffe of Harry Potter fame. He started out his career as one of the most connected individuals you could imagine. Both of his parents work, in some way or other, in showbusiness. His mother is actually a casting director. That is the person whose job it is to select people for roles on behalf of production companies: they are the people who cast actors. Clearly, she would know, personally, many key players in the business, many people able to give her son a job. The same could be said for his father. He is a literary agent - which is more relevant that it seems. A literary agent is connected to the film and tv worlds through the sale of books to them. So, his father, too, would have good showbusiness connections. It is impossible to run Daniel Radcliffe's life again, without his parents connections, but undoubtedly he would have had a hard time of it - and may, in fact, never have succeeded at all, without them. That is what I would expect, anyway, from what I have seen in other talented but unconnected individuals.

There are many talented people in this world who never really get the chance to shine. I met many on my way in England. None of them made it. Yet, many of them "had it" - in the sense of talent. It is a pity really. I have often thought how much better films and theatre would be if the person who was cast was actually the best person for the role - rather than just the best connected person (as it usually is). I rather feel that the quality of that particular art would be so much higher if it were so.

No doubt this observation applies to many other areas of life, too. Everything would be so much better if it was genuinely the best, most suited person doing it. Indeed, it would be good, indeed, if the saying: "Talent will out", was true - but it isn't.

(If you would like to learn more of Ainan Celeste Cawley, a scientific child prodigy, aged eight years and four months, or his gifted brothers, Fintan, four years and nine months, and Tiarnan, twenty-six months, please go to: http://scientific-child-prodigy.blogspot.com/2006/10/scientific-child-prodigy-guide.html I also write of gifted education, IQ, intelligence, the Irish, the Malays, Singapore, College, University, Chemistry, Science, genetics, left-handedness, precocity, child prodigy, child genius, baby genius, adult genius, savant, gifted adults and gifted children in general. Thanks.)

The incredible disappearing Daddy.

A couple of days ago, perhaps in remembrance of my days as an actor, I changed my voice, for Tiarnan and spoke to him, in character.

This quite perturbed him. He looked up at me and slapped my legs with his hands, not hard, but complainingly. "I want Daddy!", he demanded.

I thought this very revealing. For him, once my voice changed, I was no longer his Daddy, I was someone else.

I did it again - and got the same reaction and the same demand: "I want Daddy!"

I stopped doing it, lest I disturb him too much and became, in voice and manner, as I had always been for him, his familiar Daddy.

He seemed to go along with the intention of my change of voice, that it should be accepted as another person. I wonder, then, if he understands, perhaps without being conscious of it, what an actor does? After all, he perceived my change of voice, as being that of another person. It is an interesting speculation, at the least.

It is not the first time he has reacted to a change of manner or appearance in this way. When he was five months old, he responded in a very similar way to his mother when she put on a green face mask: "I want my mummy" he had said, crawling afterwards, in somewhat of a panic.

So, for him, a change of voice, or a change of appearance, denotes a change of personhood, in some way.

Funny enough, he himself, has been known to act - but more of that another time.

(If you would like to learn more of Ainan Celeste Cawley, a scientific child prodigy, aged eight years and one month, or his gifted brothers, Fintan, four years and seven months, and Tiarnan, two years exactly, please go to: http://scientific-child-prodigy.blogspot.com/2006/10/scientific-child-prodigy-guide.html I also write of gifted education, IQ, intelligence, the Irish, the Malays, Singapore, College, University, Chemistry, Science, genetics, left-handedness, precocity, child prodigy, child genius, baby genius, adult genius, savant, gifted adults and gifted children in general. Thanks.)

The youngest actor in the world

At what age can a child be an actor? Well, if you watch children carefully, you may find a surprising answer. At least, in the case of some children.

On Christmas Day, Tiarnan, 23 months, gave me a present. It wasn't the kind of present you wrap carefully in gaudy paper - it was the kind of present that arrives unexpectedly, a spontaneous gift made of nothing more than the child's ways, themselves.

Tiarnan was in the TV area of the house, the "lounge" where people sit, talk and watch films. He spotted a notebook on the coffee table, and picked it up. What he did then was startling. He began to walk around the room with a pacing, stride and manner that could only be described as "Daddy-like". He adopted an earnest, abstracted expression as if deep in thought and leafed through the notebook, as if searching for something. Meanwhile, his face was not idle: he puffed out his cheeks, to give them a fuller look, a, let's be frank, fatter, middle-aged look.

He seemed to be no-one other than his father. He had captured my "essence" with astonishing accuracy. There, before us, was a little Daddy toddler version.

Tiarnan had made an unconscious imitation and interpration of his Daddy, when he picked up that notebook. The notebook was mine and I think he was rendering an impression of how I am when I have an idea.

We asked him to do it again, but he wouldn't. He just turned away in shyness and self-consciousness. This is clearly the kind of thing he will do when he doesn't realize that he is being observed.

The incident left me sure of one thing, though. Tiarnan has it in him to be an actor, if he so wishes. He managed to capture the expressed personality of another person such that that person was recognizable in his chosen behaviour. To do that at just 23 months old is quite something. He did it instinctively, too - and I believe all the best actors are instinctive (as are all the best artists, of any kind).

(If you would like to learn more of Ainan Celeste Cawley, a scientific child prodigy, aged eight years and no months, or his gifted brothers, Fintan, four years and five months, and Tiarnan, twenty-two months, please go to: http://scientific-child-prodigy.blogspot.com/2006/10/scientific-child-prodigy-guide.html I also write of gifted education, IQ, intelligence, the Irish, the Malays, College, University, Chemistry, Science, genetics, left-handedness, precocity, child prodigy, child genius, baby genius, adult genius, savant, gifted adults and gifted children in general. Thanks.)

Childhood imagination and acting on the stage

Yesterday, I had the chance to see Fintan in a stage performance. It was not a theatrical show, as such, but more of a guided theatrical performance, with the help of their teacher.

Seeing Fintan transform from a child into a rocket, then a moon buggy, then an astronaut, and an airplane and back to a child again, told me much about the quality of his inner imaginative life.

Fintan was very committed to each action, each role, each image that he had to portray. He was very expressive, physically, in how he relayed the meaning of what he had been asked to do - and he was very, very enthusiastic. Above all, it was his imagination that was clear from his work. There was great physical detail in his imagining of the roles he was to portray - careful placing of body, arm, hand and face to give just the right meaning to what he intended. There was nothing half-hearted about what he did: it was clear that he both enjoyed it and was good at it.

Other kids of his age showed fair imagination, too (four year olds).

Yet, what was really telling, for me, was what happened next. We waited to see the performance of the five and six year olds. The contrast was clear. The older kids were more capable with words - more at ease with their use - but there was something dreadfully missing. Someone had stolen their imaginations. There was a marked reduction in imaginative power, creative commitment - and, compared to Fintan, detail of performance, in the older kids. I was surprised at this. I had expected to see a steady development of ability - a progression to higher things. But that is not what I could clearly see up on the stage. I saw more use of words and less use of body. I saw a lot of talk at the expense of expressiveness, imagination, creative daring, commitment, enthusiasm, insight and simple stage presence. Fintan showed all of these qualities at four - and his agemates showed more of them than the older kids. It was an odd and unsettling realization. Somehow, it seems, that children lose something as they get older: they lose their "childish" imaginations - but they don't gain anything worthwhile in return. Where the younger kids were fluid and fun, the older kids were stiff and dull. It was sad to see.

I have not had the chance to see this comparison in other cultures and races. But it may be general - and if so, it is a worry. Clearly, in this education system at least, the children are rapidly losing the very quality we would most want to see flourish: their creative imaginations. Not that alone, but they are losing it very early on. I saw a marked difference between four year olds and five/six year olds. A decline should not be noticeable over such a short time - but it was. Perhaps we should look for a different place and way to school Fintan - and Tiarnan - before they, too, are rigidified.

Then, again, it may not just be the school. It might be a natural process. Or it could be the whole culture. Whatever is to blame, it is most obvious that young children are losing their imaginations at a very young age.

You may say I didn't see enough children. Well, I did. There were two groups of about fifteen children each. The difference between the typical performance of the four year olds and the typical performance of the five/six year olds was marked. There was no doubt about it.

I really wonder at what schools do for children: do they open their minds up - or close them down?

This experience has really set me to wondering.

(If you would like to learn more of Ainan Celeste Cawley, a scientific child prodigy, aged seven years and nine months, or his gifted brothers, Fintan, four years and two months, and Tiarnan, nineteen months, please go to: http://scientific-child-prodigy.blogspot.com/2006/10/scientific-child-prodigy-guide.html I also write of gifted education, IQ, intelligence, College, University, Chemistry, Science, genetics, left-handedness, precocity, child prodigy, child genius, baby genius, adult genius, savant, gifted adults and gifted children in general. Thanks.)

Ainan, the unconscious actor?

Over the past few months, Ainan has adopted a range of expressions which I had not seen on his face before. These expressions are incongruous when set against what I know of him. Where have they come from and why are they there?

Recently, I had the chance to find out. I managed to observe a number of children from his classroom and watch how they were. After a while, I noted something really peculiar: I saw those expressions of Ainan on another's face. At once, I understood: Ainan had acquired expressions from others - the expressions I had begun to see, were not even his own.

Why would he do this? Well, a gifted child has to do many things to blend into their environment - and to be accepted. Ainan had clearly found another way to be accepted: be like those around him, incorporate their expressions and actions into his repertoire - become, in some superficial sense, as they are.

On the one hand I feel like congratulating Ainan on his socially skillful manoeuvre. How can a child not accept another child that echoes himself? On the other hand, I feel saddened, for Ainan is sloughing off some of his own uniqueness in social situations, to become more like the people he is with and so allow him to be accepted. He is being less of himself in public.

There is another matter which concerns me. The expressions themselves fit another personality. One set of them fits a rather foolish personality - so it is really startling when Ainan uses these expressions - because they are those of a fool. Anyone who did not know Ainan, on seeing this, would seriously misjudge him. In those expressions, he has captured the essence of dullness. It is quite perturbing to see Ainan assume such a face. Yet, assume it he does, for social reasons.

Is Ainan consciously acting or unconsciously doing so? I would guess that it began as conscious imitation but has since become an unconscious pattern repertoire, which he deploys in what seems like a suitable situation.

Perhaps, if Ainan were away from that social context he would, over time, drop this new behaviour and become as he was. In many ways, I would prefer that - but I understand why he is doing this. It helps him be accepted - and he is successful at it, for he has many friends. Yet, it may be true to say that some of these friendships have come at a price - the price of altering his social self to fit those around him.

On balance, however, I feel happy that Ainan has the social skills and personality to allow him many friends. For many gifted children, in his position, are almost friendless. It seems that he knows how to behave to make others comfortable with him - and to get them to like him. I suppose that that is another kind of gift. Yet, it is disconcerting to see one of those social skills at work, sometimes.

Perhaps this is the way with all of us. We are different in different contexts. So, too, is it with Ainan - but it was a surprise for me to come to understand what was happening.