The despair of an artist.

An artist chooses a life without a predictable outcome. No artist can possibly know whether or not they will succeed in their own lifetime, at the outset of their career. Thus, it is that artists must gamble on a success that may never come. This leads some to despair, when their long sought recognition does not come, in the passing of the decades.

Many years ago, I was invited to an art exhibition. The work was pretty good, in its own way, though not my kind of work. I studied each piece with self-conscious care, for a very good reason. You see, the artworks were by a recently deceased artist, who was the father of my, then, girlfriend’s landlady. I studied each work with particular care to show my respect. The artist had, in fact, committed suicide, in despair at the recognition which had never come to him.

I have never forgotten that evening. What marked it out for me was the gaze of my girlfriend’s landlady. She looked not on her father’s works, which were, no doubt, very familiar to her, but on the guests. She scrutinized each and every face, to see their reactions to her father’s work. She wanted to see that they liked it, that his life’s work had some meaning for them. There was a sadness in her, a watchfulness and an expectancy which had a flavour all of its own. This art exhibition had been organized by her, to let the world see her father’s work. In a way, she was trying to give him in death, what he had lacked in life: recognition. The venue was a very slick one. I remember that well. It had the air of “high art” about it. So she was really trying to ensure that his work would be seen in the right way. There were many people there that night – so she had managed to get a good turn out, too. I studied my girlfriend’s landlady as much as I studied the art. There was something very vulnerable about her. She really needed everyone to enjoy her father’s art. She really needed, in a kind of desperate way, for his work to have meant something.

It was a very sad thing to have to watch. She was trying to do for her father, in death, what life had never done for him. Perhaps she felt she should have tried sooner, whilst he had been alive. Perhaps she felt that what she did now, was too late. The exhibition was her gift to her father – it was also an act of mourning.

Recognition often comes slowly to artists. There are so many artists in the world, each competing for attention, that it is quite easy to be overlooked at first – or even for a very long time, indeed. It is a cliché that an artist should be discovered after death – but that does happen, as we all know. Quite a few artists made modest names, if at all, during their lifetimes, and only grew to legends after death. Perhaps that was what motivated my girlfriend’s landlady’s father to commit suicide – perhaps he saw it as a career move, a means to propel himself to fame.

It should not be this way. All artists should be recognized and supported during their lifetimes. The only way this could happen is if the means to create a name for oneself, were more immediately accessible – the galleries, the magazines and the newspapers. Yet, they are not accessible, and have limited slots available. There is also the matter of taste. Sometimes, innovative work is overlooked, because it does not conform to the tastes of the time: it is only much later, sometimes long after the death of an artist, when tastes change, that people are able to appreciate work. So, that, too, is a factor. There needs to be some means to recognize work independent of the tastes of the time – and that seems an almost incurable condition.

The only practical answer to all of this is for the artist themselves to become immune to the response to their work. An artist should learn to work on, irrespective of the response to their work and to be content whether or not it is accepted. This is the only solution to this age old problem. The artist must learn not to care for success and recognition – for only then will they not miss them, and despair over them, should they not be forthcoming in a reasonable time frame.

I realize that this is a difficult solution. I am proposing that artist’s create without thought of success. Yet, that is what a true artist would do – create because they have to. Perhaps that is why some artists built great oeuvres despite a lack of worldly success: they did so, because they had to. They created because to do otherwise would destroy them.

No artist should kill themselves because they are not being recognized. The answer to that situation is to continue to create good work and to continue to try to reach out and show the work. If luck is with the artist, recognition will come, some day. Despair must not be entertained – for to yield to it, is to destroy all the potential the artist has – and, despite my girlfriend’s landlady’s father’s possible motivation, that is never a good career move, and does not enhance the likelihood of recognition in any way.

Posted by Valentine Cawley

(If you would like to support my continued writing of this blog and my ongoing campaign to raise awareness about giftedness and all issues pertaining to it, please donate, by clicking on the gold button to the left of the page.

To read about my fundraising campaign, please go to: http://scientific-child-prodigy.blogspot.com/2011/01/fundraising-drive-in-support-of-my.html and here: http://scientific-child-prodigy.blogspot.com/2011/01/fundraising-drive-first-donation.html

If you would like to read any of our scientific research papers, there are links to some of them, here: http://scientific-child-prodigy.blogspot.com/2011/02/research-papers-by-valentine-cawley-and.html

If you would like to see an online summary of my academic achievements to date, please go here: http://www.getcited.org/mbrz/11136175

To learn more of Ainan Celeste Cawley, 10, or his gifted brothers, Fintan, 7 and Tiarnan, 5, please go to: http://scientific-child-prodigy.blogspot.com/2006/10/scientific-child-prodigy-guide.html

I also write of gifted education, child prodigy, child genius, adult genius, savant, megasavant, HELP University College, the Irish, the Malays, Singapore, Malaysia, IQ, intelligence and creativity.

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Please have a read, if you would like a critic's view of this blog. Thanks.

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Our editing, proofreading and copywriting company, Genghis Can, is athttp://www.genghiscan.com/

This blog is copyright Valentine Cawley. Unauthorized duplication is prohibited. Use only with permission. Thank you.)

Where all the artists go.

I had an interesting conversation with a local businessman in Malaysia, the other day. He is in the fashion business and thus is an habitual observer of all things related to his passion – and that includes fine art.

My wife is an artist, as some of you will know. He asked her if she intended to make a career of it and make money out of it. She gave a nod and a simple “I do.”

He grew reflective. “Many artists in Malaysia just have one exhibition and then disappear.”, he observed a little tiredly, at the thought. “I think it is just a hobby for them.”

In my view he had understood it precisely wrong. It is not that artists in Malaysia only tinker with their art, as a “hobby”, show it once then disappear. What is happening is much more sad than that. What is happening, it is clear to me from observing the situation and speaking to artists, is that the artists are DISAPPOINTED with the response. What frequently happens with artists in Malaysia is that they hold an exhibition and the response is muted. Perhaps the artist doesn’t sell many pieces. Indeed, usually, I would say they lose money on their exhibition. After all, many spaces here charge a daily fee to exhibit – MAPS, for instance, charges an enormous 1,000 RM per day, for the privilege of showing one’s art. These fees almost ensure that new artists lose considerably, if they decide to exhibit in such galleries/spaces.

In a way, the prompt disappearance of these artists from the art scene, after one show – which is quite common – is a rational decision. The disappointed artist is left with the bitter thought that “there is no money in it” or “they hated my stuff” – and they will never, ever go to the expense, bother and effort of exhibiting again. So the artist disappears and is never heard from again. In this way, I am sure that many good voices never get to sing of their art and their world views – their work is lost to us all, forever.

The problem here is not with the artists, but with the system. The way the art market is organized, makes it difficult for the young artist to establish themselves, without incurring considerable cost – or without being deeply disappointed. What is needed is some public art spaces, which are open to newcomers – but which are FREE to hire. This public subsidy for young artists, will ensure that these voices do not fall silent prematurely and that they have a chance to reach their ultimate audience. The public can also play a role here. Why not go to exhibitions of young artists, take a look at their works – and, if you like them, buy one or more? You should note that art makes a good long term investment, since, on average, art prices rise faster than property prices – so, not only will you be helping an artist develop a career and give them hope for their futures – but you will be helping to build your own future wealth too, by building a particularly attractive (in many ways) investment portfolio. Were this to be the common response to young artists, Malaysia would have a much more vibrant art culture than it does. In a way, the depth of art in a nation is precisely related to the willingness of the people to buy it, when the artists are young and starting out. If Malaysian art is shallower than it need be, it is only because the people wait a little too long, too often, to appreciate the outpourings of creativity of their young artists. If not supported at the beginning, there will, most often, be a swift end to such nascent careers.

Part of the problem, perhaps, is the local obsession with “branding”. I note, for instance, that older, establish artists, in a recent Henry Butcher auction, commanded prices up to 1 million Ringgits per piece of work. These are healthy prices and it is good to see local investors supporting such venerable names. However, it seems clear from the phenomenon of disappearing young artists, that the same support is not there, often, for those just starting out in their art careers. Thus it is that the pipeline from first show to venerable, brand name status, is not being properly supported. So it is that many artists fall silent.

The most important stage at which to support an artist, by buying their work, is at the beginning – for that will encourage them to continue. That is also the time to buy to realize the highest long term gains. So, seek out young artists, and invest in their work – you are not only investing in your own financial future, but in the future of the nation’s culture, itself.

(If you would like to support my continued writing of this blog and my ongoing campaign to raise awareness about giftedness and all issues pertaining to it, please donate, by clicking on the gold button to the left of the page.

To read about my fundraising campaign, please go to: http://scientific-child-prodigy.blogspot.com/2011/01/fundraising-drive-in-support-of-my.htmland here: http://scientific-child-prodigy.blogspot.com/2011/01/fundraising-drive-first-donation.html

If you would like to read any of our scientific research papers, there are links to some of them, here: http://scientific-child-prodigy.blogspot.com/2011/02/research-papers-by-valentine-cawley-and.html

If you would like to see an online summary of my academic achievements to date, please go here: http://www.getcited.org/mbrz/11136175

To learn more of Ainan Celeste Cawley, 10, or his gifted brothers, Fintan, 7 and Tiarnan, 5, please go to: http://scientific-child-prodigy.blogspot.com/2006/10/scientific-child-prodigy-guide.html

I also write of gifted education, child prodigy, child genius, adult genius, savant, megasavant, HELP University College, the Irish, the Malays, Singapore, Malaysia, IQ, intelligence and creativity.

There is a review of my blog, on the respected The Kindle Report here:http://thekindlereport.blogspot.com/2010/09/boy-who-knew-too-much-child-prodigy.html

Please have a read, if you would like a critic's view of this blog. Thanks.

You can get my blog on your Kindle, for easy reading, wherever you are, by going to: http://www.amazon.com/Boy-Who-Knew-Too-Much/dp/B0042P5LEE/ref=sr_1_1?ie=UTF8&m=AG56TWVU5XWC2&s=digital-text&qid=1284603792&sr=8-1

Please let all your fellow Kindlers know about my blog availability - and if you know my blog well enough, please be so kind as to write a thoughtful review of what you like about it. Thanks.

My Internet Movie Database listing is at:http://imdb.com/name/nm3438598/

Ainan's IMDB listing is at http://imdb.com/name/nm3305973/

Syahidah's IMDB listing is at http://imdb.com/name/nm3463926/

Our editing, proofreading and copywriting company, Genghis Can, is athttp://www.genghiscan.com/

This blog is copyright Valentine Cawley. Unauthorized duplication is prohibited. Use only with permission. Thank you.)

A fiercely independent boy.

A couple of days ago, I asked Tiarnan, my four year old son, an unexpected question:

"Tiarnan, will you have nanobots in your blood, when you are older?"

His eyes evaluated me, as if considering the meaning of what I had said and having a fair idea, but not absolutely certain.

"Nanites", I translated, into a term he knew from a computer game based on Marvel superheroes.

"No!", he said, shaking his head, firmly.

That surprised me, in a way. What followed was even more surprising.

"I want to be Dead Pool...because he has no team."

How interesting...here was my four year old, declaring himself to be an individualist who doesn't want to work in a team. I understood then, why he didn't want "nanites" in his body - because in the Marvel game, all the nanite infected people work together in a giant team. They are not individuals, as such. Tiarnan doesn't want to get lost in a group, he wants to be himself and himself alone.

I think it somewhat unusual for such a young boy to so fiercely declare his independence. It seems to me, that when this is allied with knowledge of what he likes to do - often artistic pursuits, such as drawing, and acting, that here we have an artist of some sort, in the making. He will certainly be an individualist whatever he does become, one day.

Perhaps he will read this entry one day, and have his memory jogged of the day he declared his independence and individuality so clearly. I hope so.

Be what you can and be what you must, Tiarnan - and especially if that means being true to yourself.

(If you would like to learn more of Ainan Celeste Cawley, 10, or his gifted brothers, Fintan, 6 and Tiarnan, 4, this month, please go to: http://scientific-child-prodigy.blogspot.com/2006/10/scientific-child-prodigy-guide.htmlI also write of gifted education, child prodigy, child genius, adult genius, savant, megasavant, HELP University College, the Irish, the Malays, Singapore, Malaysia, IQ, intelligence and creativity.

You can get my blog on your Kindle, for easy reading, wherever you are, by going to: http://www.amazon.com/Boy-Who-Knew-Too-Much/dp/B0042P5LEE/ref=sr_1_1?ie=UTF8&m=AG56TWVU5XWC2&s=digital-text&qid=1284603792&sr=8-1

Please let all your fellow Kindlers know about my blog availability - and if you know my blog well enough, please be so kind as to write a thoughtful review of what you like about it. Thanks.

My Internet Movie Database listing is at: http://imdb.com/name/nm3438598/

Ainan's IMDB listing is at http://imdb.com/name/nm3305973/

Syahidah's IMDB listing is at http://imdb.com/name/nm3463926/

Our editing, proofreading and copywriting company, Genghis Can, is at http://www.genghiscan.com/

This blog is copyright Valentine Cawley. Unauthorized duplication is prohibited. Use only with permission. Thank you.)