Tilda Swinton, Cornelia Parker and The Maybe

“The Maybe” was a work of art, supposedly by a collaboration of Tilda Swinton, the actress and Cornelia Parker, the artist. I say, “supposedly” because the truth of the matter is that the origin of this work lay outside the heads of both of these ladies.

In the early 1990s, I conceived a performance art work called Lord Valentine the Misplaced. This was an 18^th Century dandy, living in the 20^th Century world. I was fully attired in 18^th Century clothes and had old world airs and mannerisms. I took this work of living art, to both London and New York and it was eventually covered on CNN in 1994, NBC News in February 1995 and Reuters on 14^th February 1995. There was also coverage in the Observer newspaper in October or November 1994, and Time Out magazine, of London, in November 1994. Basically, it was quite a well known work, by the mid 1990s.

Now, an odd thing happened one night, in London. I was attired as Lord Valentine the Misplaced and was to meet a journalist (one Andrew Mosby from Time Out magazine, if I recall correctly), at Beach Blanket Babylon, a rather trendy and ornately decorated bar, in Notting Hill, West London. This was in November of 1994, after an article had come out about me, in Time Out.

As I entered Beach Blanket Babylon, I saw a familiar figure, her head laying on the shoulder of another woman: Tilda Swinton, the actress. I had seen her in person, several times before, but never really spoken to her. She had been pointed out to me, at Cambridge University, when I was there, many years before – since we both attended it, though she was rather older than me (still is!).

This pair were very interested in me. They appraised me with eager eyes, thinking thoughts that would later become clear. I did wonder at their closeness, since Tilda Swinton’s head was on the other lady’s shoulder. I did wonder at what kind of relationship they had. Then again, girls are often much more touchy-feely than guys.

Both studied my 18^th Century attire carefully.

I believe that Tilda Swinton introduced her friend as Cornelia, because she became so labeled in my mind, thereafter.

“What are you doing?”, one asked – I can’t remember which, though I think it was Tilda Swinton – “Are you trying to get cast?”

“No.”, I said, for my purpose was deeper than that. I didn’t explain what I was actually doing though.

The conversation was very brief, but there was something guarded about Tilda Swinton, at the end. She suddenly tugged at her friend to come away, a thought seeming to have come to her. I passed on, seeking my contact within.

It was the following year that Tilda Swinton and Cornelia Parker, collaborated on The Maybe. This was a simple piece of performance art/live art, in which Tilda Swinton slept in a glass box, in everyday ordinary clothes. Now, what I found immediately interesting about this was that it was a piece of living art – which is precisely what Lord Valentine the Misplaced was. I also thought it very interesting to note, from the pictures released at the time, that Cornelia Parker had been the lady with Tilda Swinton that night, in Beach Blanket Babylon. It was immediately obvious where the “inspiration” for this work of art had come from. I had created a piece of living art. Tilda Swinton and Cornelia Parker met me whilst I was being Lord Valentine the Misplaced – and Tilda Swinton (it seemed) had the idea of copying my idea and embodying herself as a living work of art, too. Particularly telling was the use of unattractive everyday clothes for The Maybe. Brian Sewell, the art critic, wondered why Tilda Swinton hadn’t dressed up as some kind of Sleeping Beauty (though maybe not in those words). It is clear why not. Had Tilda Swinton dressed up in any kind of beautiful period clothes, she would have revealed the inspiration for her work. She had no choice but to be in ordinary clothes, so as to obscure the original inspiration for the work.

Later on, Cornelia Parker and Tilda Swinton fell out over who “thought” of the Maybe. Both claim to have conceived the idea – though Tilda Swinton makes the louder claim that the idea was hers. It is very, very clear why this argument has arisen: because BOTH ladies met me, at the moment they decided to imitate what I was doing. The reason they can’t agree on who was responsible for thinking of it, is that NEITHER was responsible for the original thought. All they decided to do was to create a “me too” art work, based on my own prior explorations of living art. It is very telling that neither can agree on who conceived it, which indicates that they have something in common, at the moment of conception: that common point was the meeting of me as Lord Valentine the Misplaced. Had only one of them met me at that time, then only one of them would be laying claim to the idea. Their very argument points to the moment of contention: the instant they both met me, and one of them (or both of them) decided to imitate my work, in their own way.

Of course, the fact that they recognized my work as living art (implicitly, since they imitated it), does go to show the success of my work.

Cornelia Parker has gone on to produce other pieces of work, though Tilda Swinton hasn’t. Evidence of the influence of my work on Cornelia Parker can be seen in another of her proposed works. My art work was called Lord Valentine the Misplaced. Interestingly, Cornelia Parker wanted to put a meteorite back into space and used the term “misplaced” to describe this action – so the meteorite would now become a misplaced object. This seems to be a clear adaptation of the idea of misplacement as art. Lord Valentine the Misplaced, was misplaced in time – Cornelia Parker’s meteorite would have been misplaced in space. It is an analogy of my prior work.

We can see here, how Cornelia Parker conceives some of her works. They are adaptations or analogies to other people’s work. She is translating other people’s ideas into a different setting. Tilda Swinton’s The Maybe is a sleeping piece of living art, dressed in everyday clothes. Lord Valentine the Misplaced was a waking piece of living art, dressed in 18^th Century clothes. Cornelia Parker’s proposed meteorite project was a rock misplaced in space. My Lord Valentine project, was a human misplaced in time. These are both analogous to each other, adaptations of the same idea in a different context.

It is important that the true origins of the work of artists and supposed artists, like Cornelia Parker and Tilda Swinton – because the art, in these cases, lies in the idea, for they are conceptual works. If the idea is not truly theirs – as it is not, in both cases, here – then the work of art is not truly theirs either. The history of art is being defrauded if we are led to believe that the origin of these works lay in either of these ladies minds. The history of art deserves better than that. The true background to each conceived work should be known – and the “inspiration” that gave rise to them, should be appreciated.

This blog is but one page in an internet Universe of trillions of pages, thus, very few people will read it. So, please help spread the word about the origin of The Maybe, as an adaptation of the ideas behind Lord Valentine the Misplaced. Tell the story of how Tilda Swinton and Cornelia Parker met me at Beach Blanket Babylon in November 1994 and recognized the artistry in Lord Valentine the Misplaced, enough to want to steal it for themselves. If you have a blog, or other website, please post a link to this article, to help people become aware of it. Thank you.

Posted by Valentine Cawley

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I also write of gifted education, child prodigy, child genius, adult genius, savant, megasavant, HELP University College, the Irish, the Malays, Singapore, Malaysia, IQ, intelligence and creativity.

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Is creativity valued and rewarded?

Is creativity valued and rewarded in modern society? This might seem like a silly question to ask, when such exemplars of creativity as Einstein, Shakespeare and Da Vinci are held up to universal admiration, but I am led to ask this question for a very clear reason: I don’t believe it is.

It is altogether possible, to live a life being creative in all spheres of that life, but to be utterly unappreciated, unvalued and unrewarded for doing so. There are no automatic rewards for creativity, in modern society, though, indeed, there do appear to be a number of automatic punishments.

A creative person, for instance, will quickly discover that, the moment anything creative is shown to other people, it will be plagiarized. This is so frequent an occurrence that I am willing to propose that it is universal, in modern times: everything that is created, gets stolen – without exception. This has certainly been my experience of creativity. Every unique or interesting art work that I ever created, has been plagiarized, upon being shown to others – every single one of them. The ideas have gone on to being used by and credited to, others, who are nothing but plagiarists. My ideas have, among others, ended up in the works of Marc Quinn, Cornelia Parker/Tilda Swinton, and Peter Blake. You should note that the former was at my College at Cambridge, the middle pair I have met personally and the latter I do not know, in person. My ideas have also appeared in a Nike ad, an ad for the Museum of the Moving Image, a film poster, and the works “of” the far from original Ian Hislop. All of this, without a single shred of credit. By the way, I only make note of those ideas which were so distinctive and unlikely that an accidental replication is remote, indeed – I also emphasize those for which I can trace a line from my work, to the plagiarist, through known contact with it.

I am sure that my experience with being plagiarized is common to many artists, or creative people. I came across a recent article in which FIFTEEN artists complained that Damien Hirst had plagiarized them. Some of them had even known him, in the course of their lives. Isn’t it wonderful how he repaid their friendship? By the way, a set of images by Damien Hirst in the 1990s, that appeared in an American magazine, perhaps Esquire (I cannot recall for sure), are also highly likely to have been derived from the same work of mine that Cornelia Parker/Tilda Swinton, imitated.

Another aspect of this is that creative people often do not receive any financial reward for their ideas or works. Besides the frequent theft of these works, even if not stolen, the work may never produce any financial reward. Certainly that accords with my own experience. As an adult I have been creative in science, literature, art and acting…but I haven’t really seen what you would call a decent financial return on my efforts. Nor has there been enough of any other forms of return, to have made the efforts worth it, other than their intrinsic value of self-expression.

I would like to think that, one day, my life of creative effort will be rewarded, suitably – but I am also aware that that may never be so. Certainly, many of my ideas have been adopted by famous plagiarists, which may deprive me forever of being credited for them. Even if I do receive credit in the end, and am suitably rewarded, thereby, I am not sure that the painfully long wait, to such a day, will be sufficiently compensated for. It is possible that that which must be endured, before any reward, may make any reward seem inadequate.

In theory, the creative life is an ideal one. However, in practice, we live in such an ugly world, with such ugly people in it (see the plagiarists above), that it can be one of the worst ways to choose to live. A creative life is often filled with such injustice, such pain, such suffering, such loss and such disappointment, that any rewards that are ultimately achieved, are far too little compensation. Of course, in many creative lives, there are no rewards at all (see Van Gogh, for instance).

As yet, I do not know if my own life, is going to be one of the creative ones that is ultimately rewarded. Up until now, it has not been particularly beneficial to me. I would have been better off choosing almost any other way of life, than the one I chose, in all material ways, and many other ways, too. I would also have been a lot happier never to have created anything, only to have seen it stolen by opportunistic others, whose names are better known, than my own. It would be worth it, not to have created those works, just so that they would not have been stolen. In that sense, choosing to be UNCREATIVE, might be a happier life choice, if one was aware of the costs of being creative, in the first place.

This world needs to change. It needs to be kinder to creators, and crueler to plagiarists. I do believe, for instance, that plagiarism should be made a crime, punishable by long prison sentences and extremely heavy fines. Were the world to move strongly against plagiarism, creators would find it easier to be appropriately rewarded and appreciated for their creative works. Plagiarists should be so scared of the consequences of plagiarism, that they don’t dare to do it. It would also be very interesting if such a law could be enacted so that it has retrospective force. Many of today’s “brightest names” (see above), would then have to spend long periods – well deserved periods – in prison.

I know, however, that such a world will never be. This modern world does not value creators and positively eulogizes plagiarists (for some of its greatest “stars” are serial plagiarists). The modern world seems not to care whether its favourite of the day, is a plagiarist or a true creator. There seem to be no consequences for plagiarism. So many times, for instance, has Damien Hirst been denounced as a plagiarist, without an idea to call his own – yet his works still sell for millions, or even tens of millions. It is, in short, madness. No-one seems to care for the true creators. Until that changes, it is probably not a good choice of life, to become creative. It is likely that anyone choosing such a life will endure much suffering, much rejection, much disappointment and little reward of any kind. It is likely that such a person will see many of their works stolen and see little monetary return on their creative investments. If a person wishes for success, in the conventional sense, any of the many safer choices, would lead to a life more fulfilled in those respects: be a banker, a financier, a doctor or a lawyer. These choices lead to conventional success in a fairly predictable manner. If, however, you choose to be creative, be prepared to see the world’s true ugliness –and be prepared to fight it.

That being said, it is possible to succeed as a creator. You just have to be more patient, more resilient, more lucky, more tenacious and more insistent than you would have to be in ANY other line of work. A creator who succeeds, is one who has overcome a truly ugly world. Theirs is a kind of unheralded triumph that far surpasses that of any other achievement. Yet, the difficulties they would have had to overcome, are unrecognized by all but those who have led a creative life. That, too, is one of the dooms of the creative person: to be forever misunderstood. The non-creative person has no idea, NO IDEA AT ALL, of what the creative person has to go through, to win through, in life.

So, if you choose to live a creative life, I wish you luck. It won’t be an easy life and you may never reach your goals – but it is a life that is worth it, if you believe in one thing: that to express the self, is the meaning of life. If you choose a creative life, you could, indeed, succeed, in expressing your self, your views and your world – but you may never succeed, in being rewarded for it. I wish you all, therefore, luck in achieving both aims: self-expression and suitable rewards.

(If you would like to support my continued writing of this blog and my ongoing campaign to raise awareness about giftedness and all issues pertaining to it, please donate, by clicking on the gold button to the left of the page. To read about my fundraising campaign, please go to: http://scientific-child-prodigy.blogspot.com/2011/01/fundraising-drive-in-support-of-my.html and here: http://scientific-child-prodigy.blogspot.com/2011/01/fundraising-drive-first-donation.html

To learn more of Ainan Celeste Cawley, 10, or his gifted brothers, Fintan, 7 and Tiarnan, 4, this month, please go to: http://scientific-child-prodigy.blogspot.com/2006/10/scientific-child-prodigy-guide.html

I also write of gifted education, child prodigy, child genius, adult genius, savant, megasavant, HELP University College, the Irish, the Malays, Singapore, Malaysia, IQ, intelligence and creativity.

There is a review of my blog, on the respected The Kindle Report here: http://thekindlereport.blogspot.com/2010/09/boy-who-knew-too-much-child-prodigy.html

Please have a read, if you would like a critic's view of this blog. Thanks.

You can get my blog on your Kindle, for easy reading, wherever you are, by going to: http://www.amazon.com/Boy-Who-Knew-Too-Much/dp/B0042P5LEE/ref=sr_1_1?ie=UTF8&m=AG56TWVU5XWC2&s=digital-text&qid=1284603792&sr=8-1

Please let all your fellow Kindlers know about my blog availability - and if you know my blog well enough, please be so kind as to write a thoughtful review of what you like about it. Thanks.

My Internet Movie Database listing is at: http://imdb.com/name/nm3438598/

Ainan's IMDB listing is at http://imdb.com/name/nm3305973/

Syahidah's IMDB listing is at http://imdb.com/name/nm3463926/

Our editing, proofreading and copywriting company, Genghis Can, is at http://www.genghiscan.com/

This blog is copyright Valentine Cawley. Unauthorized duplication is prohibited. Use only with permission. Thank you.)