ABC Malaysia, viral video: John Gomez.

Yesterday, I shot a "viral video" for ABC Malaysia, the publication circulation assessor. It was a very enjoyable experience. I played the ghost of a publisher, John Gomez. The production house, Reservoir Productions, commissioned a beautiful suit for me, for the shoot. It was just the right touch for the character.

It was a green screen shoot. This means that there was a green backdrop behind me, onto which will be inserted images, in post production, to place my performance in a context. I am very curious as to what the Director Ismail Jamaluddin will put there. It is going to be an interesting surprise!

For me, the most rewarding part of the shoot, apart from the chance to work with the character, until the performance was just what Ismail wanted, was the Director's response to my work. For the second time in a week, a Director has been extremely positive about my work and has spoken of working with me again in future. I am heartened by this. It allows me to understand that I am right to devote the time and energy to acting that I have, in my life, for it very much seems, now, that I have a promising future in this arena. All I have to do, at this time, is keep on working and experimenting. The path ahead looks to be an enjoyable one.

Thank you to Casting Director Richard Goh for putting my name forward for this role. Thanks also to advertising agency Creative Juice, for approving of Ismail Jamaluddin's choice of me for the role.

The ABC Malaysia viral video is expected to be released in August this year. My performance, as John Gomez, should be visible on the ABC Malaysia website. I will let you know when it is out and shall link to it, if I can.

Posted by Valentine Cawley


(If you would like to support my continued writing of this blog and my ongoing campaign to raise awareness about giftedness and all issues pertaining to it, please donate, by clicking on the gold button to the left of the page.

To read about my fundraising campaign, please go to: http://scientific-child-prodigy.blogspot.com/2011/01/fundraising-drive-in-support-of-my.html and here: http://scientific-child-prodigy.blogspot.com/2011/01/fundraising-drive-first-donation.html

If you would like to read any of our scientific research papers, there are links to some of them, here: http://scientific-child-prodigy.blogspot.com/2011/02/research-papers-by-valentine-cawley-and.html

If you would like to see an online summary of my academic achievements to date, please go here: http://www.getcited.org/mbrz/11136175To learn more of Ainan Celeste Cawley, 10, or his gifted brothers, Fintan, 7 and Tiarnan, 5, please go to: http://scientific-child-prodigy.blogspot.com/2006/10/scientific-child-prodigy-guide.html

I also write of gifted education, child prodigy, child genius, adult genius, savant, megasavant, HELP University College, the Irish, the Malays, Singapore, Malaysia, IQ, intelligence and creativity.

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Please let all your fellow Kindlers know about my blog availability - and if you know my blog well enough, please be so kind as to write a thoughtful review of what you like about it. Thanks.

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Our editing, proofreading and copywriting company, Genghis Can, is athttp://www.genghiscan.com/This blog is copyright Valentine Cawley. Unauthorized duplication is prohibited. Use only with permission. Thank you.) 

Tokan film: Tiarnan’s Malaysian movie debut.

A couple of months back, a call came in, as they tend to do: “Can you bring your kids along to do a film tomorrow?” It was very last minute. This is typical of filming in Malaysia.

“Only Tiarnan is free. Fintan has exams to do and Ainan is at University and I don’t want him to miss a day.”

There was a pause, the silence evaluated my remark.

“OK. Bring Tiarnan.”

“What is it for?”

“The film is called Tokan. It is about drugs. The scenes you will be doing will be in an airport.”

The following day, I brought Tiarnan, fairly early in the morning, to the KTM railway station which was to be made to look like an airport scene. He was quietly expectant.

Now, Tiarnan, 6, has appeared on film before – but for TV documentaries and a reality TV show. He hasn’t been in a film.

He was to pretend to be the young son of a man going on holiday to Brazil. He was supposed to be excited to be visiting this new country.

The first scene was filmed going into and through a smoke filled tunnel through the airport. What was notable is that Tiarnan really tuned into his surroundings and the situation, like it was really happening in the way he had been told. He was properly excited, to be visiting Brazil. At just the right moment he had been instructed, he said: “Come on Daddy!”, and dragged me forward as he rushed ahead to see what was to be seen. His face glowed with excitement – yet, of course, none of it was real – it only seemed to be so. My young son was acting.

What impressed me was the patience he showed with the filming process. He did each take as if it were the first time he had experienced the scene. Between scenes he waited with the rest of the actors – his father and Ignas Versinskas, who is a friend of ours (usually a film director, actually). He never betrayed any signs of impatience with it all.

In one scene, on the train platform, as we set to leave the airport, he played a game with me – which he had invented, actually. The director had seen him playing it and liked it so much, he asked us to do it for the camera. We were the centre of the image. The game was simple: tossing a teddy bear back and forth between us in ever more exotic ways, always catching it and throwing it back.

Again and again he played the game, like it was his first time. He never failed to seem enthusiastic about it. I rather think that his smiling little form will steal that scene.

The final scene was as everyone was being checked through security. We were at the front of the scene. In it, Tiarnan looked properly impressed by the gun toting police. He whispered to me between takes: “It is not a real gun, is it? Just fake?”

“Just fake.” I assured him.

“And the police are only pretending to be police?” he continued, looking up at their tall, stern features.

“Yes. Just pretending.”

That reassured him somewhat.

At the end of the shoot, the agent, Sam came to pay us. She started to pay me, for the work – but I shook my head and indicated Tiarnan. She paid him directly. He was most pleased to see so much money for his day’s work.

For me, it was very instructive to watch Tiarnan act. He is, in my view, a natural actor. He treats the circumstances as if they are real and behaves within it, according to the director’s request. He is able to do take after take and he shows great patience with the process. Not that alone, but his acting is natural and not overdone, as many children’s acting is. It was a revelation for me to watch him work and a very pleasing day indeed.

In the days that followed, he asked me, quite a few times: “Are we filming again tomorrow?”

He had really enjoyed himself and wanted to do some more.

“Some time, Tiarnan, we will do it again.”

Fintan felt that he had missed out because of his exams because he too wished he had filmed. I assured him that next time he could do so, if there were no exams in the way.

For me, as an actor myself, it is pleasing to see the same ability and disposition growing in my sons. I had glimpsed this before, in Tiarnan, when I had taken him to an audition for a TV commercial and he had worked with me. He had been very good then...very realistic. However, this was the first time I had actually worked with him. That day, he was not merely my son. He was a real actor, too.

Well done, Tiarnan on your film debut, in Tokan!

Posted by Valentine Cawley

(If you would like to support my continued writing of this blog and my ongoing campaign to raise awareness about giftedness and all issues pertaining to it, please donate, by clicking on the gold button to the left of the page.

To read about my fundraising campaign, please go to: http://scientific-child-prodigy.blogspot.com/2011/01/fundraising-drive-in-support-of-my.html and here: http://scientific-child-prodigy.blogspot.com/2011/01/fundraising-drive-first-donation.html

If you would like to read any of our scientific research papers, there are links to some of them, here: http://scientific-child-prodigy.blogspot.com/2011/02/research-papers-by-valentine-cawley-and.html

If you would like to see an online summary of my academic achievements to date, please go here: http://www.getcited.org/mbrz/11136175To learn more of Ainan Celeste Cawley, 10, or his gifted brothers, Fintan, 7 and Tiarnan, 5, please go to: http://scientific-child-prodigy.blogspot.com/2006/10/scientific-child-prodigy-guide.html

I also write of gifted education, child prodigy, child genius, adult genius, savant, megasavant, HELP University College, the Irish, the Malays, Singapore, Malaysia, IQ, intelligence and creativity.

There is a review of my blog, on the respected The Kindle Report here:http://thekindlereport.blogspot.com/2010/09/boy-who-knew-too-much-child-prodigy.html

Please have a read, if you would like a critic's view of this blog. Thanks.

You can get my blog on your Kindle, for easy reading, wherever you are, by going to: http://www.amazon.com/Boy-Who-Knew-Too-Much/dp/B0042P5LEE/ref=sr_1_1?ie=UTF8&m=AG56TWVU5XWC2&s=digital-text&qid=1284603792&sr=8-1

Please let all your fellow Kindlers know about my blog availability - and if you know my blog well enough, please be so kind as to write a thoughtful review of what you like about it. Thanks.

My Internet Movie Database listing is at:http://imdb.com/name/nm3438598/

Ainan's IMDB listing is at http://imdb.com/name/nm3305973/

Syahidah's IMDB listing is at http://imdb.com/name/nm3463926/

Our editing, proofreading and copywriting company, Genghis Can, is athttp://www.genghiscan.com/This blog is copyright Valentine Cawley. Unauthorized duplication is prohibited. Use only with permission. Thank you.) 

Is talent enough?

In the past week, I have been invited to audition for a film. It is quite a big film, in that there is a Hollywood partner involved, with a local company. It would be great to get the role...

The audition went well. The Casting Director said of my performance: “You are one of the best actors we have seen.” So, he likes my acting. However, he went on to say: “However, I am not the one who makes the decisions.” He only presents the possibilities to the Director and his board...but does not himself decide whom to cast.

Now, I have had experience of casting in Asia, before. Perhaps my remarks apply to casting everywhere. In the past, I have had Casting Directors say that my acting was great...but that they were looking for “someone blond”, or were “going for looks”. In other words, they were casting for APPEARANCE, over substance. This was a particular problem in Singapore, where it was quite possible for a casting person to choose an incompetent, non-actor, who looked good, over an experienced actor, who didn’t fit their “look”, requirements. Of course, the result of this kind of casting was that, sometimes, the performances that resulted were really bad – the entire integrity and quality of the work was compromised. Yet, the production people never seemed able to see this as a problem. They didn’t realize that their superficiality was damaging the resultant work.

The film I cast for this week has definite promise. I have seen the art material and the intended look of the work – it looks like it is going to be stunning in that sense. That, however, worries me a little. You see, if they are too much concerned with look, then they might not choose me, because the role I would like is for someone who is more muscular than I am, supposedly. So, if they focus too much on looks, they might choose a gym rat, over me. That, however, would be a mistake, I think, from the point of view, of securing the best performance in the role – that, I am sure, I can deliver.

I see this period as a test of the production. If it is focussed on looks, then they might choose someone else. If it is focussed on the best performances possible, then they are likely to choose me, given what the casting director has said. If the former, then they are making the classic Asian casting mistake and this is likely to be a compromised production, that is less good than it could be. If, however, they choose my performance, they are aiming for quality of performances and the film is likely to be a very good one. I hope it is the latter: we shall see.

I shall keep you informed as to which they choose.

To answer my own question, I would to say that, often, talent is not enough. An actor can be brilliant at acting and still not chosen for a role. It might be decided that they are too young, too old, too fat, too thin, too muscular, not muscular enough, too dark, too light and so on. Once they start placing too much importance on appearance, there are a million reasons why a particular actor might not be chosen – even if, by their performance, they would be perfect for the role. Personally, I think the process is dumb: they are getting hung up on trivialities and not seeing the core. They should cast the core, and ignore the minor disparities at the edges – after all, styling can deal with some of them, anyway.

I hope to have good news soon.

Posted by Valentine Cawley

(If you would like to support my continued writing of this blog and my ongoing campaign to raise awareness about giftedness and all issues pertaining to it, please donate, by clicking on the gold button to the left of the page.To read about my fundraising campaign, please go to: http://scientific-child-prodigy.blogspot.com/2011/01/fundraising-drive-in-support-of-my.html and here: http://scientific-child-prodigy.blogspot.com/2011/01/fundraising-drive-first-donation.html If you would like to read any of our scientific research papers, there are links to some of them, here: http://scientific-child-prodigy.blogspot.com/2011/02/research-papers-by-valentine-cawley-and.html If you would like to see an online summary of my academic achievements to date, please go here: http://www.getcited.org/mbrz/11136175 To learn more of Ainan Celeste Cawley, 10, or his gifted brothers, Fintan, 7 and Tiarnan, 5, please go to: http://scientific-child-prodigy.blogspot.com/2006/10/scientific-child-prodigy-guide.html I also write of gifted education, child prodigy, child genius, adult genius, savant, megasavant, HELP University College, the Irish, the Malays, Singapore, Malaysia, IQ, intelligence and creativity. There is a review of my blog, on the respected The Kindle Report here:http://thekindlereport.blogspot.com/2010/09/boy-who-knew-too-much-child-prodigy.html Please have a read, if you would like a critic's view of this blog. Thanks. You can get my blog on your Kindle, for easy reading, wherever you are, by going to: http://www.amazon.com/Boy-Who-Knew-Too-Much/dp/B0042P5LEE/ref=sr_1_1?ie=UTF8&m=AG56TWVU5XWC2&s=digital-text&qid=1284603792&sr=8-1 Please let all your fellow Kindlers know about my blog availability - and if you know my blog well enough, please be so kind as to write a thoughtful review of what you like about it. Thanks. My Internet Movie Database listing is at:http://imdb.com/name/nm3438598/ Ainan's IMDB listing is at http://imdb.com/name/nm3305973/ Syahidah's IMDB listing is at http://imdb.com/name/nm3463926/ Our editing, proofreading and copywriting company, Genghis Can, is athttp://www.genghiscan.com/
This blog is copyright Valentine Cawley. Unauthorized duplication is prohibited. Use only with permission. Thank you.).

David Carradine's posthumous fame.

It is bizarre. David Carradine is already more famous for dying, than for living. His death, in mysterious circumstances, has ensured that, far from being largely unnoticed, at death (as I suspect he would have been, had he not died in the way he did), more attention is being paid to him now, than he ever received in life.

It is notable that, after David Carradine's Kwai Chang Caine role in "Kung Fu", that he led a rather quiet career, for the most part, from the viewpoint of the public. Yes, it is true that he appeared in around 200 shows...but it is also true that most of these roles went largely unnoted. David Carradine was very much an "under the radar", actor, until he was cast as Bill, in Kill Bill, by Quentin Tarantino. Then, again, for a brief time, David Carradine was noticed by the global public - or at least that part of it which likes Quentin Tarantino films (by no means a majority of people, but certainly a fair proportion).

David Carradine's last scene will be forever remembered. Unfortunately, it is a scene of peculiar death: a still shot, imagined in the minds of most readers, of a naked man, bound and suspended from a closet railing. However, this situation has one effect that, as an actor, David Carradine might have appreciated: his career and work may now gain much more notice than they would have done had he quietly slipped away, from natural causes, as most actors (and most people) do. David Carradine's misfortune has the one redeeming feature that he will now never be forgotten - at least, in the lifetime of anyone now living in the developed world, with access to the media.

Yet, there is a tragedy in this situation, too. For is it not sad that a man can be more noticed for dying bizarrely, than for making a creative effort in 200 televisual and filmic productions, throughout five decades? This speaks for the modern world's appetite for strange news, over their appetite for film. It seems that people are more interested in the oddities of the real world, than in anything film has to offer.

Perhaps it all comes down to the power of gossip. David Carradine has died in an eminently gossip worthy fashion. Now, even if the truth turns out to be a rather simple, if odd, case of auto-erotic asphyxiation, that truth will never be allowed to live alone. Alongside it will be spoken any number of theories of why and how he died. Forevermore, there will be tales of murder, of another, or others, present in the room at his death and discussion of whether it was all accidental or suicidal. No matter what the results of the autopsy are, no matter what the police decide, the conspiracy theorists will yabber on, gossip will continue to circulate and the tale of David Carradine's death will just grow bigger and bigger. Not until everyone on Earth has heard of it and discussed it to, excuse me, death, will the gossiping cease. By then, of course, everyone will know of David Carradine, even if they had never before seen any of his work (which is quite possible, particularly if the people concerned are too young to have seen the first run of Kung Fu from 1972 to 1975).

David Carradine is dead. However, in another sense, David Carradine is immortal. By dying as he has, he has, most probably inadvertently, ensured that he will never be forgotten. David Carradine's posthumous fame, is far greater than David Carradine's fame in life ever was. That, perhaps, is the strangest thing of all - even stranger than to end up hung naked from a closet in a Bangkok hotel two days into filming the appropriately named French film production, "Stretch".

(If you would like to learn more of Ainan Celeste Cawley, a scientific child prodigy, aged eight years and seven months, or his gifted brothers, Fintan, five years exactly, and Tiarnan, twenty-eight months, please go to:http://scientific-child-prodigy.blogspot.com/2006/10/scientific-child-prodigy-guide.html I also write of gifted education, IQ, intelligence, the Irish, the Malays, Singapore, College, University, Chemistry, Science, genetics, left-handedness, precocity, child prodigy, child genius, baby genius, adult genius, savant, wunderkind, wonderkind, genio, гений ребенок prodigy, genie, μεγαλοφυία θαύμα παιδιών, bambino, kind.

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This blog is copyright Valentine Cawley. Unauthorized duplication prohibited. Use Only with Permission. Thank you.)