The art of a child.

A week ago, or so, I had the chance to see what artistic motivations lie within my two youngest boys. They were at the Publika shopping mall, and a stall there was selling little art canvases for children. These had the outline of a scene on them. The point was to paint in the scene in the colours of one’s choice. The boys were left free to choose whichever scene they pleased.

What interested me was the choices the boys made. Fintan chose an animal which the family associates with me. In so doing, he was showing affection for his father. Now he could have chosen many other animals, objects and scenes, but wished to make a deliberate reference to me. I was touched. However, the sight of the animal provoked a little competition between the boys.

“I want that one!”, said Fintan.

“No! I do!”, countered Tiarnan.

“No! It’s mine!”, said Fintan emphatically and reached out for it.

So, both my sons wanted to reference their father. I smiled to see their little squabble.

Then Tiarnan saw something else. It was the outline of a cat. With certainty he reached out for it and picked it up with an odd tenderness. There was clearly a feeling in his heart.

Tiarnan chose to paint the cat in black and white. This was most telling. He even painted a particular black patch over the eye of the cat.

“This is Cow.”, he said as he worked on the painting. There was an intensity of emotion, in his voice, as he said the name.

Cow was our black and white cat who had been killed by dogs, a few months back – bitten alive.

“It makes me sad, to paint Cow.”, he confided softly, brush in hand, “but happy too.”

His work was well observed and skilfully painted. He had managed to capture the essence of Cow, in just the right choices of colour, and shape and brush-stroke. It was a good piece.

“I realize something, today, Mummy.” Tiarnan said, insightfully. “I really like Art and Craft.”

I was heartened to hear that. I am always happy when our boys discover an interest – for that is what motivates a person to achieve something worthwhile.

Fintan’s piece was good too. He had been forced to choose colours which were not natural to the animal in question since his palate didn’t include the right colours – but his choices were warm and somehow loving. I found both their work touching.

Tiarnan has taken to painting more frequently since then and really enjoys it. Let us see how this interest develops, over time.

Posted by Valentine Cawley

(If you would like to support my continued writing of this blog and my ongoing campaign to raise awareness about giftedness and all issues pertaining to it, please donate, by clicking on the gold button to the left of the page.

To read about my fundraising campaign, please go to: http://scientific-child-prodigy.blogspot.com/2011/01/fundraising-drive-in-support-of-my.html and here: http://scientific-child-prodigy.blogspot.com/2011/01/fundraising-drive-first-donation.html

If you would like to read any of our scientific research papers, there are links to some of them, here: http://scientific-child-prodigy.blogspot.com/2011/02/research-papers-by-valentine-cawley-and.html

If you would like to see an online summary of my academic achievements to date, please go here: http://www.getcited.org/mbrz/11136175To learn more of Ainan Celeste Cawley, 10, or his gifted brothers, Fintan, 7 and Tiarnan, 5, please go to: http://scientific-child-prodigy.blogspot.com/2006/10/scientific-child-prodigy-guide.html

I also write of gifted education, child prodigy, child genius, adult genius, savant, megasavant, HELP University College, the Irish, the Malays, Singapore, Malaysia, IQ, intelligence and creativity.

There is a review of my blog, on the respected The Kindle Report here:http://thekindlereport.blogspot.com/2010/09/boy-who-knew-too-much-child-prodigy.html

Please have a read, if you would like a critic's view of this blog. Thanks.

You can get my blog on your Kindle, for easy reading, wherever you are, by going to: http://www.amazon.com/Boy-Who-Knew-Too-Much/dp/B0042P5LEE/ref=sr_1_1?ie=UTF8&m=AG56TWVU5XWC2&s=digital-text&qid=1284603792&sr=8-1

Please let all your fellow Kindlers know about my blog availability - and if you know my blog well enough, please be so kind as to write a thoughtful review of what you like about it. Thanks.

My Internet Movie Database listing is at:http://imdb.com/name/nm3438598/

Ainan's IMDB listing is at http://imdb.com/name/nm3305973/

Syahidah's IMDB listing is at http://imdb.com/name/nm3463926/

Our editing, proofreading and copywriting company, Genghis Can, is athttp://www.genghiscan.com/This blog is copyright Valentine Cawley. Unauthorized duplication is prohibited. Use only with permission. Thank you.)

Where all the artists go.

I had an interesting conversation with a local businessman in Malaysia, the other day. He is in the fashion business and thus is an habitual observer of all things related to his passion – and that includes fine art.

My wife is an artist, as some of you will know. He asked her if she intended to make a career of it and make money out of it. She gave a nod and a simple “I do.”

He grew reflective. “Many artists in Malaysia just have one exhibition and then disappear.”, he observed a little tiredly, at the thought. “I think it is just a hobby for them.”

In my view he had understood it precisely wrong. It is not that artists in Malaysia only tinker with their art, as a “hobby”, show it once then disappear. What is happening is much more sad than that. What is happening, it is clear to me from observing the situation and speaking to artists, is that the artists are DISAPPOINTED with the response. What frequently happens with artists in Malaysia is that they hold an exhibition and the response is muted. Perhaps the artist doesn’t sell many pieces. Indeed, usually, I would say they lose money on their exhibition. After all, many spaces here charge a daily fee to exhibit – MAPS, for instance, charges an enormous 1,000 RM per day, for the privilege of showing one’s art. These fees almost ensure that new artists lose considerably, if they decide to exhibit in such galleries/spaces.

In a way, the prompt disappearance of these artists from the art scene, after one show – which is quite common – is a rational decision. The disappointed artist is left with the bitter thought that “there is no money in it” or “they hated my stuff” – and they will never, ever go to the expense, bother and effort of exhibiting again. So the artist disappears and is never heard from again. In this way, I am sure that many good voices never get to sing of their art and their world views – their work is lost to us all, forever.

The problem here is not with the artists, but with the system. The way the art market is organized, makes it difficult for the young artist to establish themselves, without incurring considerable cost – or without being deeply disappointed. What is needed is some public art spaces, which are open to newcomers – but which are FREE to hire. This public subsidy for young artists, will ensure that these voices do not fall silent prematurely and that they have a chance to reach their ultimate audience. The public can also play a role here. Why not go to exhibitions of young artists, take a look at their works – and, if you like them, buy one or more? You should note that art makes a good long term investment, since, on average, art prices rise faster than property prices – so, not only will you be helping an artist develop a career and give them hope for their futures – but you will be helping to build your own future wealth too, by building a particularly attractive (in many ways) investment portfolio. Were this to be the common response to young artists, Malaysia would have a much more vibrant art culture than it does. In a way, the depth of art in a nation is precisely related to the willingness of the people to buy it, when the artists are young and starting out. If Malaysian art is shallower than it need be, it is only because the people wait a little too long, too often, to appreciate the outpourings of creativity of their young artists. If not supported at the beginning, there will, most often, be a swift end to such nascent careers.

Part of the problem, perhaps, is the local obsession with “branding”. I note, for instance, that older, establish artists, in a recent Henry Butcher auction, commanded prices up to 1 million Ringgits per piece of work. These are healthy prices and it is good to see local investors supporting such venerable names. However, it seems clear from the phenomenon of disappearing young artists, that the same support is not there, often, for those just starting out in their art careers. Thus it is that the pipeline from first show to venerable, brand name status, is not being properly supported. So it is that many artists fall silent.

The most important stage at which to support an artist, by buying their work, is at the beginning – for that will encourage them to continue. That is also the time to buy to realize the highest long term gains. So, seek out young artists, and invest in their work – you are not only investing in your own financial future, but in the future of the nation’s culture, itself.

(If you would like to support my continued writing of this blog and my ongoing campaign to raise awareness about giftedness and all issues pertaining to it, please donate, by clicking on the gold button to the left of the page.

To read about my fundraising campaign, please go to: http://scientific-child-prodigy.blogspot.com/2011/01/fundraising-drive-in-support-of-my.htmland here: http://scientific-child-prodigy.blogspot.com/2011/01/fundraising-drive-first-donation.html

If you would like to read any of our scientific research papers, there are links to some of them, here: http://scientific-child-prodigy.blogspot.com/2011/02/research-papers-by-valentine-cawley-and.html

If you would like to see an online summary of my academic achievements to date, please go here: http://www.getcited.org/mbrz/11136175

To learn more of Ainan Celeste Cawley, 10, or his gifted brothers, Fintan, 7 and Tiarnan, 5, please go to: http://scientific-child-prodigy.blogspot.com/2006/10/scientific-child-prodigy-guide.html

I also write of gifted education, child prodigy, child genius, adult genius, savant, megasavant, HELP University College, the Irish, the Malays, Singapore, Malaysia, IQ, intelligence and creativity.

There is a review of my blog, on the respected The Kindle Report here:http://thekindlereport.blogspot.com/2010/09/boy-who-knew-too-much-child-prodigy.html

Please have a read, if you would like a critic's view of this blog. Thanks.

You can get my blog on your Kindle, for easy reading, wherever you are, by going to: http://www.amazon.com/Boy-Who-Knew-Too-Much/dp/B0042P5LEE/ref=sr_1_1?ie=UTF8&m=AG56TWVU5XWC2&s=digital-text&qid=1284603792&sr=8-1

Please let all your fellow Kindlers know about my blog availability - and if you know my blog well enough, please be so kind as to write a thoughtful review of what you like about it. Thanks.

My Internet Movie Database listing is at:http://imdb.com/name/nm3438598/

Ainan's IMDB listing is at http://imdb.com/name/nm3305973/

Syahidah's IMDB listing is at http://imdb.com/name/nm3463926/

Our editing, proofreading and copywriting company, Genghis Can, is athttp://www.genghiscan.com/

This blog is copyright Valentine Cawley. Unauthorized duplication is prohibited. Use only with permission. Thank you.)

A love of Art.

Popular Bookstore is a chain present in both Singapore and Malaysia. It tends to stock academic books for schoolchildren and a reasonable - though restricted - range of general reading material. Today, in a Popular Bookstore, in KL, I noted something most telling. I saw a book section I have never seen in the corresponding stores in Singapore. Now can you guess what it was? What kind of section could a Malaysian bookstore have, that its Singaporean counterparts don't have?

Have you had a good think? Well, to my astonishment, today, I saw a "Drawing" section, in the Malaysian Popular Bookstore. That gave me pause, for it was not a small section: it consisted of two whole bookshelves, perhaps three to four metres wide and one and a half metres high, in total, carrying nothing but books on the art of drawing: how to do it, what it is, and how you can learn. There were books on particular types of drawing: portraits, fantasy figures and so on. I was, in an instant, most impressed by what it said of the country I am now living in. It says, quite clearly, that there are enough people in KL interested in learning how to draw, for it to be profitable for a general bookstore like Popular, to carry such specialized titles.

Yet, and this was the most telling part of all, I had never seen a similar section in Singapore's Popular bookstores - though I have been in many of them, many times.

One can conclude from this that Malaysians are rather more artistically inclined, than their Singaporean counterparts, for no bookstore is going to waste shelf space on things which don't sell enough to justify it.

Perhaps, pragmatic Singaporeans don't see the value in art, so much, because they cannot see how it connects to their life value of accumulating money as rapidly as possible. Since art seems distant from this, they are less drawn to it...excuse the pun.

As for me: I like art and artists and think that it is an eminently worthy pursuit, even if it never results in great personal wealth, or even a decent living: it is the art itself that counts.

I find it refreshing that an ordinary bookstore would actually pay such heed to drawing. There is, I think, more depth to this nation, than one might first grasp. No doubt there are more clues out there, waiting to be seen.

I will let you know when I spot one.

(If you would like to learn more of Ainan Celeste Cawley, 10, or his gifted brothers, Fintan, 6 and Tiarnan, 4, this month, please go to:
http://scientific-child-prodigy.blogspot.com/2006/10/scientific-child-prodigy-guide.html

I also write of gifted education, child prodigy, child genius, adult genius, savant, megasavant, HELP University College, the Irish, the Malays, Singapore, Malaysia, IQ, intelligence and creativity.

My Internet Movie Database listing is at: http://imdb.com/name/nm3438598/
Ainan's IMDB listing is at http://imdb.com/name/nm3305973/
Syahidah's IMDB listing is at http://imdb.com/name/nm3463926/

Our editing, proofreading and copywriting company, Genghis Can, is at http://www.genghiscan.com/

This blog is copyright Valentine Cawley. Unauthorized duplication is prohibited. Use only with permission. Thank you.)